Past (University)
In Memory of a Dragon
I created the in-car UX and GUI mockups for production scope beyond 2026, concerning areas such as driving performance to on-screen items. I co-developed prototypes and brand/portfolio strategies to implement our UX concepts. In addition, I worked with data scientists to realize internal tools for workflow digitization.
RISD Space WebApp
I was part of a team experimenting and creating new software in Microsoft's creative labs (the Garage). We developed a mobile "workbench" for Microsoft's application suite, utilizing their Project Rome platform.
I led UX ideation and prototyping for user testing, to create innovative and valuable features to customers. I worked closely with software engineers to translate high fidelity mockups into interactive interfaces. The final Android application and features were adopted into the Project Rome repository.
Click here for further details (password protected).
BudgetBox
I worked with design studio Nicosia Creative Expresso Ltd. and created graphics used for SK-II's Festive 2016 limited edition bottle and packaging (also used for merchandise, TV CMs, billboards, events). Inspired by the Japanese art of Suminagashi (marbling patterns on plain paper using water and ink), it embraces the philosophy of there being "no wrong drop of ink, with each element coming together to create a unique piece", much like how SK-II embraces beauty in individuality.
I also collaborated on the Spring 2018 edition "Little Red Symbol" bottle (iterations not pictured, only final product).
Color Factory Rebrand
I assisted design studio LPK on the illustration and color choice for Pringles canisters headed to Australia and ASEAN markets (Original, Sour Cream & Onion, Salt & Vinegar, and the Tortilla skew).
I also led the design and illustration for a limited edition Japan canister, Pancake-flavored Pringles. Various iterations were developed to tell the illustrative story for the client. Ultimately the product remained in concept-phase.
SHIN GODZILLA – Animated Intro
As part of of my motion graphics course, I storyboarded and animated a title sequence for the movie SHIN GODZILLA (2016). This was my first foray into motion graphics and After Effects. My goal was to visually convey the plot while creating smooth transitions between key scenes. I drew a lot of inspiration from the cutout style of The Incredibles end sequence (one of my all-time favorite movies!) and Saul Bass' title sequence work. I felt they lent a lot to creating dynamic visuals while remaining easy to follow, while having a bold impact, which seemed fitting for this movie.
Nissan Motor Co. Ltd.
I created the in-car UX and GUI mockups for production scope beyond 2026, concerning areas such as driving performance to on-screen items. I co-developed prototypes and brand/portfolio strategies to implement our UX concepts. In addition, I worked with data scientists to realize internal tools for workflow digitization.
Microsoft
I was part of a team experimenting and creating new software in Microsoft's creative labs (the Garage). We developed a mobile "workbench" for Microsoft's application suite, utilizing their Project Rome platform.
I led UX ideation and prototyping for user testing, to create innovative and valuable features to customers. I worked closely with software engineers to translate high fidelity mockups into interactive interfaces. The final Android application and features were adopted into the Project Rome repository.
Click here for further details (password protected).
SK-II
I worked with design studio Nicosia Creative Expresso Ltd. and created graphics used for SK-II's Festive 2016 limited edition bottle and packaging (also used for merchandise, TV CMs, billboards, events). Inspired by the Japanese art of Suminagashi (marbling patterns on plain paper using water and ink), it embraces the philosophy of there being "no wrong drop of ink, with each element coming together to create a unique piece", much like how SK-II embraces beauty in individuality.
I also collaborated on the Spring 2018 edition "Little Red Symbol" bottle (iterations not pictured, only final product).
Pringles
I assisted design studio LPK on the illustration and color choice for Pringles canisters headed to Australia and ASEAN markets (Original, Sour Cream & Onion, Salt & Vinegar, and the Tortilla skew).
I also led the design and illustration for a limited edition Japan canister, Pancake-flavored Pringles. Various iterations were developed to tell the illustrative story for the client. Ultimately the product remained in concept-phase.
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